Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome commissioned by the imperial authorities

commissioned by the imperial authorities to inspect the monuments of the peninsula

Orange terracotta oil lamp molded with a floral motif in the center and a wavy frieze on the rim

nicknamed the Elder or the Censor (Tusculum 234 -149 BC)

not forgetting ethnology and zootechnology

documents relating to the rental of donkeys or others

Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome commissioned by the imperial authoritiesHealing what is broken is perhaps, for Christine Aebi Ochsner, the very basis of a creative poetic process. After numerous exhibitions in Switzerland and abroad, and a host of articles devoted to her unique and diverse work, Christine Aebi Ochsner wanted to make her work accessible to a wide audience in the form of a monograph. The richly illustrated work contains contributions from journalists, art historians and writers from very different